As a painter and architect, I explore the body and mind, and how they interact with the spaces we inhabit. I use trees and architectural forms as symbols to navigate the space between instinct and intellect, the organic and the constructed. Through mapping emotional and physical states, I examine how the personal and the collective continuously reflect and shape one another.

I see art as a mirror of the world we live in, a world marked by overstimulation, surveillance, mass production, consumption, and constant motion. In this context, I turn to painting as a way to pause and reimagine. I search for visual oases—spaces where spirit, body, and mind might reconnect. I imagine a symbolic city where the visual, the visceral, and the intellectual converge. Through my practice, I ask: What would a spiritual city look like, and how would it feel to inhabit it?